This article examines performing arts in the initiation ritual (cap sac) of the Dao Kiem Mun in Northern Vietnam through the lens of performance theory. Drawing on a synthesis of previous scholarsh...
<p><strong>Tác giả:</strong> Đặng Thị Oanh Trần Hữu Sơn</p>
<p>This article examines performing arts in the initiation ritual (cap sac) of the Dao Kiem Mun in Northern Vietnam through the lens of performance theory. Drawing on a synthesis of previous scholarship and ethnographic fieldwork materials, the ritual is approached as a form of “social drama,” in which ritual actions, chants, music, dance, and sacred space are orchestrated as a symbolic process of performance. The findings indicate that ritual performance in the initiation ritual is structurally...</p>
<p>📄 DOI: <a href="https://doi.org/https://doi.org/10.67208/jars.vie.03(8)2026.006" target="_blank" rel="noopener">https://doi.org/10.67208/jars.vie.03(8)2026.006</a></p>
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